Moby originally worked on Why Does My Heart Feel So Bad in 1992 but dismissed it. Revisiting the piece in 1999, he managed to rework it.

Caught Out There from Kelis is very much an anthem for women and a sizzling indictment of men who treat women badly.

Mos Def's Ms. Fat Booty is rich and detailed in drama and emotional anguish.

Slipknot's Surfacing is a no holds barred, energetic and dark heavy metal track full of power, aggression and a good deal of swearing.

The Magnetic Fields' No One Will Ever Love You was written as a tribute of sorts to Tusk by Fleetwood Mac.

When we join Aimee Mann in 1999 she is now a solo artist and has been charged with writing music for the Paul Thomas Anderson film, Magnolia.

I was not familiar with Kepa Junkera prior to this but did enjoy Bok Espok. The accordion, or trikitixa as it is called, stands out.

Goo Goo Dolls' Iris was a critical and commercial success, faring well across multiple charts across the globe.

The music in Massive Attack's Teardrop has a chilling feel to it but it blends perfectly with Elizabeth Fraser’s vocals.

I like the concept of The Cardigan's Erase/Rewind, this idea of going back in time and making changes to our lives.

In Music Sounds Better with You, Stardust focus mainly on the music rather than lyrical output, with the lyrics themselves being limited.

The main message of You Get What You Give seems to follow the title in beseeching the individual to go out and make of life what they will.

Doo Wop (That Thing) is a powerful warning to people about the many trials that life offers and the thin ice on which they walk daily.

Kelly Watch the Stars relies heavily on the music which sounds like it utilises synthesiser sounds and is pure electronica throughout.

#866 of the 1001 Songs Challenge is Into My Arms by Nick Cave & The Bad Seeds

Broken Heart's lyrics cut through to the bone and the track is also augmented by the stunning music with a gorgeous opening melody.

One of the closing tracks on Nimrod, Time of Your Life (Good Riddance) is also one of Green Day’s best songs.

Blur were surprised when Song 2 not only received positive feedback but was also considered to be hit material.

All Saint's Shaznay Lewis originally penned Never Ever with Robert Jazayeri and Sean Mather also contributing.